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©
THE NEW YORK TIMES
March 31, 1969
At
Last, Kurt Vonnegut's Famous Dresden Book
SLAUGHTERHOUSE-FIVE
OR THE CHILDREN'S CRUSADE
By Kurt Vonnegut Jr.
Kurt
Vonnegut Jr., an indescribable writer whose seven previous
books are like nothing else on earth, was accorded the
dubious pleasure of witnessing a 20th-century apocalypse.
During World War II, at the age of 23, he was captured
by the Germans and imprisoned beneath the city of Dresden,
''the Florence of the Elbe.'' He was there on Feb. 13,
1945, when the Allies firebombed Dresden in a massive
air attack that killed 130,000 people and destroyed
a landmark of no military significance.
Next
to being born, getting married and having children,
it is probably the most important thing that ever happened
to him. And, as he writes in the introduction to Slaughterhouse-Five,
he's been trying to write a book about Dresden ever
since. Now, at last, he's finished the ''famous Dresden
book.''
In
the same introduction, which should be read aloud to
children, cadets and basic trainees, Mr. Vonnegut pronounces
his book a failure ''because there is nothing intelligent
to say about a massacre.'' He's wrong and he knows it.
Kurt
Vonnegut knows all the tricks of the writing game. So
he has not even tried to describe the bombing. Instead
he has written around it in a highly imaginative, often
funny, nearly psychedelic story. The story is sandwiched
between an autobiographical introduction and epilogue.
Fact
and Fiction Combined
The
odd combination of fact and fiction forces a question
upon the reader: how did the youth who lived through
the Dresden bombing grow up to be the man who wrote
this book? One reads Slaughterhouse-Five with
that question crouched on the brink of one's awareness.
I'm not sure if there's an answer, but the question
certainly heightens the book's effects.
Here
is the story: Billy Pilgrim, ''tall and weak, and shaped
like a bottle of Coca-Cola,'' was born in Ilium, N.Y.,
the only child of a barber there. After graduating from
Ilium High School, he attended night sessions at the
Ilium School of Optometry for one semester before being
drafted for military service in World War II. He served
with the infantry in Europe, and was taken prisoner
by the Germans. He was in Dresden when it was firebombed.
After
the war, he went back to Ilium and became a wealthy
optometrist married to a huge wife named Valencia. They
had two children, a daughter named Barbara who married
an optometrist, and a son named Robert who became a
Green Beret in Vietnam.
In
1968, Billy was the sole survivor of a plane crash on
top of Sugarbush Mountain in Vermont. While he was recovering
in the hospital, Valencia was killed in a carbon-monoxide
accident. On Feb. 13, 1976, Billy was assassinated by
a nut with a high- powered laser gun.
As
you can see, there is much absurd violence in this story.
But it is always scaled down to the size of Billy Pilgrim's
world, which makes it more unbearable and more obligatory
for the reader to understand the author's explanation
for it. As I said, Mr. Vonnegut knows all the tricks.
Now
there are two things I haven't yet told you about Billy
Pilgrim, and I'm hesitant to do so, because when I tell
you what they are you'll want to put Kurt Vonnegut back
in the science-fiction category he's been trying to
climb out of, and you'll be wrong.
First,
Billy is ''unstuck in time'' and ''has no control over
where he is going next.'' ''He is in a constant state
of stage fright...because he never knows what part of
his life he is going to have to act in next.''
Story
Told Fluidly
This
problem of Billy's enables Mr. Vonnegut to tell his
story fluidly, jumping forward and backward in time,
free from the strictures
of chronology. And this problem of Billy's is related
to the second thing, which is that Billy says that on
his daughter's wedding night he was kidnapped by a flying
saucer from the planet Tralfamadore, flown there through
a time warp, and exhibited with a movie star named Montana
Wildhack.
The
Tralfamadorians are two feet high, green, and shaped
like plumber's friends, with suctions caps on the ground
and little green hands with eyes on their palms at the
top of their shafts. They are wise, and they teach Billy
Pilgrim many things. They teach him that humans cannot
see time, which is really like ''a stretch of the rocky
Mountains,'' with all moments in the past, the present
and the future, always existing.
''The
Tralfamadorians... can see how permanent all the moments
are, and they can look at any moment that interests
them.'' They teach Billy that death is just an unpleasant
moment. Because Billy can go back and forth in time,
he knew this lesson when he was in Dresden. In 1976,
when he was assassinated, Billy Pilgrim was trying to
bring this message to the world. He knew he would die,
but he did not mind. ''Farewell, hello, farewell, hello,''
he said.
I
now, I know (as Kurt Vonnegut used to say when people
told him that he Germans attacked first). It sounds
crazy. It sounds like a fantastic last-ditch effort
to make sense of a lunatic universe. But there is so
much more to this book. It is very tough and very funny;
it is sad and delightful; and it works. But is also
very Vonnegut, which mean you'll either love it, or
push it back in the science-fiction corner.
©
THE NEW YORK TIMES
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