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©1995 Cable News
Network, Inc.
Vonnegut
Turns to TV to Satirize TV
Kurt
Vonnegut's vision of the future has entertained readers
for more than 30 years. Now his vision and one of his
more popular characters, Harrison Bergeron, will take
on cable TV viewers in a new movie. The following is
a CNN transcript of an August 11, 1995 feature on Showtime's
adpatation of Kurt Vonnegut's short story 'Harrison
Bergeron.'
JIM
MORET, Anchor: It's showtime for Kurt
Vonnegut. The celebrated author is bringing one
of his stories to the pay cable network Sunday night.
Kurt Vonnegut's ''Harrison
Bergeron'' imagines the United States 60 years from
now, following a second American Revolution.
Paul
Vercammen reports the future's social order is a trifle
stifling.
[excerpt
from 'Harrison Bergeron']
ACTOR:
You shouldn't learn anything from television.
[end
of excerpt]
PAUL
VERCAMMEN, Correspondent: At least, that's the policy
of American leaders in the year 2053 in Kurt Vonnegut's
sci-fi story, ''Harrison Bergeron.''
[excerpt
from 'Harrison Bergeron']
SEAN
ASTIN: I know the Constitution says that it's
the function of government to render all people equal,
but still-
CHRISTOPHER
PLUMMER: It saddens me-
[end
of excerpt]
PAUL
VERCAMMEN: Christopher Plummer and Sean Astin star
in this Showtime adaptation, the story of a society
where excellence and achievement are secretly suppressed
by the government. This concept stemmed from thoughts
Vonnegut had in his early teens.
KURT
VONNEGUT: I was thinking in high school - you notice
that some people can run a lot faster than you can.
People are better looking than you. Some people can
play musical instruments - how in the hell does he do
that and everything. And there's something you can do.
And so I thought, well, how funny it would be if the
government finally decided that too many people were
being made to feel unhappy. And I was thinking how funny
if they would pass all these laws. If you could dance
well, for instance, you'd have to wear sash weights
tired around your ankles, you know what I mean? [laughs]
[excerpt
from 'Harrison Bergeron']
SEAN
ASTIN: Hey, Sinbad fell off! Did you see that?
He's happy. Look at him. He's friggin' happy!
[end
of excerpt]
SEAN
ASTIN: It's, obviously, so absurd that you have
to laugh at it, first of all. But it crystallizes it
in a way that you look at it differently. You look at
these issues of capital punishment. I mean, even human
emotions - the human emotion of envy or the haves and
have-nots. All these things that are, you know, the
political fodder of every day pushed to the absurd.
PAUL VERCAMMEN: Vonnegut says the concept of
keeping the arts subdued and keeping people's intelligence
at a simplistic level was originally just a funny idea.
KURT
VONNEGUT: It turns out now it could be a political
idea, although I never intended it to be, but the American
right now has focused on political correctness in efforts
to make people more equal.
I'm
not the only source with crazy ideas. History has provided
plenty of these - to name Nazism, Communism - because
these are real science fiction ideas which have shaped
life in a big way.
[excerpt
from 'Harrison Bergeron']
CHRISTOPHER
PLUMMER: Once we covet, we hate, and when we hate,
this is what happens.
[end
of excerpt]
PAUL
VERCAMMEN: While TV may not be a teaching tool in
Vonnegut's year 2053, audiences in 1995 may learn something
from ''Harrison Bergeron.''
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