
Preface.
Vonnegut's responses to questions from the British publication,
Weekly Guardian:
Q:
What is your idea of perfect Happiness?
A: Imaging that something
somewhere wants us to like it here.
Q: What living person
do you most admire?
A: Nancy Reagan.
Q: What is the trait you
most deplore in others?
A: Social Darwinism.
Q: What vehicle do you
own?
A: 1988 Honda Accord.
Q: What is your favorite
smell?
A: What comes out the
back door of a bakery.
Q: What is your favorite
word?
A: ''Amen.''
Q: What is your favorite
building?
A: The Chrysler Building
in Manhattan.
Q: What words or phrases
do you most overuse?
A: "Excuse me."
Q: When and where were
you happiest?
A: About ten years ago
my Finnish publisher took me to a little inn on the edge of
the permafrost in his country. We took a walk and found frozen
ripe blueberries on bushes. We thawed them in our mouths.
It was as though something somewhere wanted us to like it
here.
Q: How would you like
to die?
A: In an airplane crash
on the peak of Mount Kilimanjaro.
Q: What talent would you
most like to have?
A: Cello.
Q: What do you consider
the most overrated virtue?
A: Teeth.

Chapter
XVI. In order not to seem a spiritual quadriplegic
to strangers trying to get a fix on me, I sometimes say I
am a Unitarian Universalist (I breathe).

Chapter
XIX. I can be more prompt than the Roman
Catholic Church in announcing who is a saint, since I do not
require courtroom-style proofs that so-and-so was on at least
three occassions capable of magic with the help of God. It
is enough for me if a person (like a good anthropologist)
easily finds all races and classes equally respectable and
intersting, and doesn't keep score with money.
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An
Autobiographical Collage
1991

Contemporary Authors,49.
''While Vonnegut's fiction is couchedly candid in its reflection
of his personal views on many subjects, his essays and other
works of nonfiction are even more so. He has published several
collections of essays, interviews, and speeches, including
Palm Sunday.- An Autobiographical Collage in 1981 and
Fates Worse than Death: An Autobiographical Collage of
the 1980s, a similar mix to Palm Sunday, published
a decade later. In Fates Worse than Death, collected
essays and speeches are interwoven with memoir and parenthetical
commentary written especially for the volume. Subject matter
ranges from the broadly political Westem imperialism and America's
war-greed to the painfully personal Vonnegut's own prisoner-of-war
experiences and bouts with mental illness. Douglas
Anderson describes the collection in the New York Times
Book Review as 'scarily funny' and feels that 'it offers
a rare insight into an author who has customarily hidden his
heart.' In the Times Literary Supplement, James Woods
concludes that the 'more Vonnegut writes the more American
he seems--a kind of de-solemnized Emerson, at once arguer,
doubter, sermonizer and gossip.'''

Chapter
II. I didn't get to choose my ancestors, and I
look upon my brain and the rest of my body as a house I inhabit
which was built long before I was born.

©
The New York Times
September 15, 1991
By DOUG ANDERSON
FATES
WORSE THAN DEATH: An Autobiographical Collage of the
1980s.
By Kurt Vonnegut. Putnam.
In
Fates Worth Than Death, Kurt Vonnegut applies an apocalyptic
eye to everything from global starvation to censorship. In
this collection of speeches, essays and memoirs, linked together
by reflective passages, Mr. Vonnegut is perhaps more intimate
with the reader than ever. He reveals a tortured family life
and tells stories of alcoholism and insanity and of deep grief
and, sometimes, reconciliation. The method of the book is,
not surprisingly, comic. But there is always a hook at the
root of each laugh that pulls up more than expelled breath.
"I will say anything to be funny, often in the most horrible
situations, which is one reason two good women so far have
been very sorry on occasion to have married me," he writes.
There is a searing quality to Mr. Vonnegut's humor that eviscerates
sham and hypocrisy, but also laughs at its own complicity
in the vices he ridicules. Fates Worse Than Death is
honest and scarily funny, and it offers a rare insight into
an author who has customarily hidden his heart.

Chapter
II.
You cannot be a good writer of serious fiction if you are
not depressed.

Chapter
VIII.
(I worry about what they teach at Yale.)
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